There’s the world you can see. And then there’s the one you can’t. Welcome to The Morningside.
When Silvia and her mother finally land in a place called Island City, after being expelled from their ancestral home in a not-too-distant future, they end up living and working at The Morningside, a crumbling luxury tower where Silvia’s aunt, Ena, serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family’s past. Silvia knows almost nothing about the place she was born and spent her early years; nor does she know why she and her mother had to leave. But in Ena there is an opening: a person willing to give a young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia’s lonely and impoverished reality.
Enchanted by Ena’s stories, Silvia begins seeing the world with magical possibilities, and becomes obsessed with the mysterious older woman who lives in the penthouse of the Morningside. Bezi Duras is an enigma to everyone in the building; she has her own elevator entrance, and only leaves to go out at night and walk her three massive hounds, often not returning until the early morning. Silvia’s mission to unravel the truth about this woman’s life, and her own haunted past, may end up costing her everything.
Startling, inventive, and profoundly moving, THE MORNINGSIDE is a novel about the stories we tell, and the stories we refuse to tell, to make sense of where we came from, and who we hope we might become.
When Silvia and her mother finally land in a place called Island City, after being expelled from their ancestral home in a not-too-distant future, they end up living and working at The Morningside, a crumbling luxury tower where Silvia’s aunt, Ena, serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family’s past. Silvia knows almost nothing about the place she was born and spent her early years; nor does she know why she and her mother had to leave. But in Ena there is an opening: a person willing to give a young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia’s lonely and impoverished reality.
Enchanted by Ena’s stories, Silvia begins seeing the world with magical possibilities, and becomes obsessed with the mysterious older woman who lives in the penthouse of the Morningside. Bezi Duras is an enigma to everyone in the building; she has her own elevator entrance, and only leaves to go out at night and walk her three massive hounds, often not returning until the early morning. Silvia’s mission to unravel the truth about this woman’s life, and her own haunted past, may end up costing her everything.
Startling, inventive, and profoundly moving, THE MORNINGSIDE is a novel about the stories we tell, and the stories we refuse to tell, to make sense of where we came from, and who we hope we might become.
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Reviews
Dystopian fiction at its most unnervingly captivating - submerged highways, tree-colonised train tracks, wheeling flocks of urban cranes. But this is also an increasingly serious look at the future, both unimaginable and all too near at hand, where reasons to be hopeful are hard to come by - and yet where humanity continues to find a way
The dreamlike novel draws on elements of folklore and fairy tales for a narrative set eerily close to present day that explores environmental collapse and human resilience
With elements of folklore and magic realism, this novel contends with interesting philosophical questions such as the relationship between superstition, guilt and grief. It is also a moving exploration of the immigrant's tale whereby the daughter must instruct her mother in their new world. An accomplished novel
I marveled at the subtle beauty and precision of Obreht's prose. . . Read in the context of today's conflicts and injustices, climate emergencies, and political and racial divisions - together more dystopian than any dystopian novel - the book surprised me most with its undercurrent of hope
As in her previous richly imagined and profoundly insightful novels . . . Obreht writes at the crossroads of myth and history, but here with a twist as she envisions a catastrophic tomorrow in which rampaging forces of nature and human atrocities intensify in impact and scope. . . . A bewitchingly atmospheric, psychologically lush, and deeply knowing tale of ancient sorrows and coalescing crises, courage and fortitude
Obreht is offering a cautionary vision of what our future might look like, but she's also asking questions that are as old as storytelling. What do we want to tell ourselves about ourselves? What do we try to hide from ourselves? And what's the cost of our lives?
Obreht is such an expert and generous storyteller, infusing The Morningside with the pleasures of folklore and fairy tale while simultaneously diving deep into the silences and irreconcilable contradictions in the stories we inherit about the past
Magic realism and dystopian sci-fi infuse a powerfully imagined tale of exile, belonging and, ultimately, hope
Imagine a Ballardian dystopia injected with a double dose of magic realism, so that the pages seem to glow. . . . An ideal novel in which all is invented and everything is true. I loved it
In a not-too-distant future, a young girl called Silvia becomes obsessed with an enigmatic older woman. The author of The Tiger's Wife, which won The Orange prize for Fiction in 2011, has done it again with this rich, dreamlike novel
This touching and inventive novel follows a young woman searching for meaning and belonging, both through her loving aunt's stories and the enigmatic resident of the building's penthouse suite
Like all of Obreht's work, The Morningside is filled with tiny moments of acute observation and beautiful writing that will make you stop and gasp . . . you'll be thinking about it all long after you've finished reading. A magical, special book by one of our best working novelists
I marveled at the subtle beauty and precision of Obreht's prose. . . Read in the context of today's conflicts and injustices, climate emergencies, and political and racial divisions-together more dystopian than any dystopian novel-the book surprised me most with its undercurrent of hope
This novel is an ingenious, inventive coming-of-age story. Very moving with a mystery at its heart
The Morningside is like nothing I've read - at once playful and profound, harrowing and tender, a sparklingly original story of coming of age in a broken world
Fresh and immensely gripping, The Morningside is a rich saga of migration and the search for belonging, bravely imagining our capacity for survival and love in an uncertain future. . . . A stunning achievement
Obreht is a novelist of great skill and warmth, for whom the ancient forms of storytelling - folk tales, myths and legends - retain all their capacity to explain and mystify, soothe and terrify . . . Though The Morningside could be called dystopian, to this reader it feels hopeful in the way it imagines the near future . . . more about the ways we pull together than the ways we fall apart